The WA-19 faithfully recreates one of the most favored studio and live dynamic mics of the 1960s. Like the original adored by live and studio engineers, the WA-19 delivers a unique combination of dynamic mic functionality and studio-worthy condenser tones. With the critical noise rejection & reduced proximity effect of a dynamic, the WA-19 captures vibrant top-end for enhanced detail, surpassing many studio dynamic microphones. This sound has been leveraged by artists like The Beatles, Tame Impala, Slayer (Kerry King), and many more.
To deliver the sound profile of the lauded original, the WA-19 features a custom, hand-assembled dynamic cardioid humbucking capsule that blends the critical noise rejection of a dynamic microphone with the top-end clarity of a condenser. The WA-19 includes a variable acoustic high-pass filter ring that cuts up to 10dB at 50 Hz, ideal for tightening up the tone and adding upper-midrange emphasis without any electronic phase shift often incurred from preamp high-pass filters. Additionally, ventilated slots on the side of the WA-19 body reduce proximity effect, eliminating boomy bass associated with placing the mic closer to louder sources and make editing a breeze as there are less unwanted bass frequencies competing in the mix.
FEATURES
Faithful Recreation Of a Lauded Dynamic Cardioid Studio Microphone Of The 60s
Variable 50Hz Acoustic High-Pass Filter with 0 to -10dB Range
Custom-made, hand-tensioned dynamic transducer modeled after the original 19 with upgraded build quality.
Connector: XLR
Color: Black
Length: 6” | Diameter: 1.4” | Weight: .5 lbs
5-Year Warranty
SPECIFICATIONS
Polar Pattern: Cardioid | Impedance: 200 Ohms
Frequency Response: 30Hz – 18Khz
Max SPL: 145dB
Sensitivity (Modern Measurement): -53dB +/-3dB at 1Khz (0dB=1V/Pa)
